About Get Elastic

Get Elastic is lovingly brought to you by Linda Bustos of Elastic Path Software, a flexible ecommerce framework for enterprises.

We also have a technical blog for Elastic Path users and partners.

Get New Posts Delivered to You
Next Webinar:
Ecommerce for Technology Vendors: Maximizing Your Online Channel

Product Photography: How To Achieve The Ghost Mannequin Effect

A conversation emerged out of the comments on last week’s post Can Product Images Improve Conversion? Showing Products in Context about how to achieve a “ghost” mannequin effect like these examples, where the body is filled out, you can see through the V-line but the mannequin is invisible.

invisible mannequin

As the post explained, showing products “in context” can be more persuasive than flat images – models and mannequins give customers an idea of how a garment fits a real person. I recently researched how to achieve the invisible mannequin look and found answers like:

Make a mannequin out of a very open wire mesh, and then edit the mesh out in post. You could even paint the mesh with green or something like that and chroma-key it out.

Make a mannequin out of a thin, cheap material (perhaps even wire mesh again) and put the garment on it, and position the camera. Then, start cutting away the mannequin in all the places where it’s visible to the camera, even with the shirt over it. You’d end up cutting off it’s left arm, part of it’s left ’shoulder blade’ and some stuff around the neck.

-djlemma, from Flickr discussion

and

Looking at a few of the examples I reckon the mannequin is being chopped out. Looking at some of the tops you can see no back to the item even if there is a lower front if you see what I mean.

An ideal solution could be to get a mannequin and a background with a strong colour. Take the photo then in Photoshop make a clear layer below the image layer so you have a transparent background. On the photo layer click the Select main menu item and choose “Color range” and click the mannequin colour on the photo. It should select just this colour, use the sensitivity slider to get the best selection and the just cut it out. Do the same with the background. It is not the quickest but compared to hand tracing each item and mannequin area it would potentially save a lot of time.

-MickeyFinn, from Freelance UK Forums

I noticed a couple photographers left comments on our post, so I tossed out the question, what’s the best way to achieve the ghost mannequin look? Anna Yeaman, professional photographer who specializes in product photography for apparel and accessories shared the following:

Two years ago I tried plastic and wireframe mannequins to achieve the “ghost” effect but I was not happy with the results. Also this limits the types of mannequin you can use.

I sometimes combine two images in Photoshop if its just a small part of the label I’m after.

I never found a simple way to do this in-camera, I decided that there must be custom made mannequins out there but could never find them. I considered taking a saw to one of my own and cutting out the chest area!

I’m going to renew my efforts and contact some websites using this effect. I will let you know how it goes. Most of my clients are after the Bluefly.com look and don’t mind the mannequin.

One thing I do a lot is take a photo on a mannequin, in Photoshop I edit out parts of the mannequin that are showing (around the hem, arms ect). You end up with an item with shape and form without a mannequin showing, but you cannot see through to the back…We take multiple angle shots and close ups of every item instead.

I have a hook that I hang bags off, then I edit it out later in Photoshop. For earrings I use clear fishing wire (craft shop), the earrings hang perfectly and the wire is invisible. I also use a clear plastic board for studs (I drilled a small hole) and clip ons (clip onto the bottom).

In a follow-up comment:

I contacted a bunch of product photographers to find out how they achieved the “ghost” effect.

John Gibbens of, G2 Catalog Design sent me this reply,

“We either shoot two images and piece together or we use an inexpensive plastic mannequin supported from below (for shirt/jacket images) whose neck is cut down below the open neckline. We then keep a couple different lengths of removable arms to fill sleeves – long arms with hands cut off for long-sleeve items and shorter arms for short sleeve garments.”

So we can conclude that the invisible mannequin look, though very slick, takes a bit of pre and post production effort. Another alternative would be to shoot a flat image and mannequin shot, so customers can still see the product on a form and see through the V-line. Works for Net-A-Porter…

Like This Article?

Get New Posts Delivered to You

Comments

  1. July 10th, 2008

    Hi Linda,

    Do you think net-a-porter need both flat and on a mannequin? Why not just use the mannequin (and detail shots) and save half your budget?

    What I love about their mannequin shots is that they accessorize them. Adding in matching bags, shoes, scarves and belts…it’s more exciting to view a whole outfit and encourages you to buy more.

    ps: thanks for the link love :)

  2. July 10th, 2008

    Hmm, good question – I like to see flat images as category page thumbnail defaults (that’s a mouthful), they’re easier to view in smaller sizes.

    I definitely like the front/back mannequin shots. I think for luxury brands the simple mannequin has a kind of cachet, too.

    So if budget was not a concern, I would like to see:

    flat
    mannequin front
    mannequin back
    fabric detail zoom shot

    also any additional colors, shot separately (not just photoshopped to match color)

  3. July 10th, 2008

    Linda, why did you pick a piece of clothing that looks like it came from a bad 80’s movie? :) I think I saw Lois Lane wear that in Superman II.

  4. July 10th, 2008

    Oh Jason, trust me, this was the best of the bunch.

    If you don’t believe me:
    http://www.net-a-porter.com/Shop/Clothing/Tops

    My choices were: Bad 80’s Movie or Tablecloths and Curtains Sewn Together.

    I believe this choice was “choice” :P

  5. July 11th, 2008

    As a shopper, I can definitely attest to the fact that seeing the clothes on something – invisible or visible mannequin or real live model – makes me more likely to buy something. Shopping online for clothing is difficult, so being able to see the way something hangs is a big help.

    I have a question though – what’s the rationale for using a mannequin over a live model? I assume it’s cheaper, but are there marketing-type reasons as well?

  6. July 12th, 2008

    I personally prefer mannequin shots, models bring too much baggage. What I mean is sometimes they are styled in a way that looks dated or the shopper does not identify with. They can be a distraction.

    I have seen a dress on an eveningwear website and it looks awful, I’m put off by the bad hair and prom queen makeup. Then I see the same dress re-photographed on a mannequin on bluefly.com and it looks like something I might wear.

  7. July 12th, 2008

    Hi gang,
    I’m a photographer in Los Angeles specializing in shooting for the apparel industry.
    Making a mannequin OR model shot look invisible is generally a bunch of work and after 20 years doing it I’m not convinced it is worth the time.
    My vote is to shoot with models.
    Why?
    * Just styling clothing onto a mannequin can take a long time. The samples must be cut well and fit the mannequin well in order for things to move at any good pace. When it’s been most successful for me, there are at least two mannequins and two stylists – one mannequin on set and one being dressed in the wings. Mannequins and stylists and time are expensive!
    * Retouching to invisible afterwards is time consuming & expensive post production expense.

    Models can dress quickly and you can grab a front, back and side shot on 10 styles before you shoot one on a mannequin.

    If you pose the model right – you can make them invisible later if you like.

    I also run a couple of eCom stores and my vote is that apparel on models sells better – is more descriptive for the customer.

    Just my opinions!
    ;-)
    Chuck
    http://www.chuckgoodenough.com

  8. July 13th, 2008

    Great feedback! I’m really glad the pros stepped in here and explained the pros and cons. Unfortunately, there is give and take – mannequins look slick and keep a consistency through your site – they don’t distract from the clothing itself but require styling and a lot of work.

    Models can take shots quickly and will appeal to “humanistic” people who will appreciate seeing a human to relate to(even if it’s one of the 2% uber-perfect specimens of the population). There may be subliminal influence of a smiling, healthy and attractive person demonstrating how great the clothes make a person look. But, model shoots carry their own costs, and if you get new stock in mid-season, you risk losing continuity.

    I’ve seen sites use a mix – about 1/2 of their product images are flat, the other half are a model or mannequin. I suppose it’s okay to experiment too. But what everyone agrees on is that the “ghost effect” is a real pain to accomplish.

  9. July 13th, 2008

    I assume that for some goods a more interactive approach is preferrable – for example, using Flash-based product presentations where a model can be rotated, zoomed etc.

  10. graham
    August 5th, 2008

    Hi all.

    how do you think, from a photographer perspective, that net-a-porter shoots those ‘flat’ shots? it doesn’t really look like the item is just laying flat. it looks almost like it is pressed or hung in a certain way. any ideas?

  11. August 5th, 2008

    Hi graham,

    You’re right, they could be hung. Especially the image in the blog post – looks EXACTLY like the mannequin shot, minus the arms and neck.

    Other ways you can get a not-so-flat shot is to stuff the shirt slightly, or use a plastic, half bust (no back) insert like you sometimes see in retail stores. Here’s an example:
    http://www.equipashop.ie/productdetail.aspx?id=19-170-030&subid=27&catid=3

    Or the “1/2 Body Form Hanger” from:
    http://www.edenshop.co.uk/Manaquins-and-Bustforms.asp?Category=12
    (scroll down almost to the bottom)

  12. August 26th, 2008

    There is a lot of interest in these elusive techniques lately. Have you photographers looked into hiring a photo stylist who specializes in these techniques for your shoots and letting them worry about how to do it? If not, you might check out the upcoming video and off-figure styling online courses we’re bringing out soon. Sign up for e-newsletter to keep informed about the dates. Hope to hear from you! Susan

  13. August 26th, 2008

    By the way, that’s at Photo Styling Workshops, http://www.photostylingworkshops.com

  14. August 26th, 2008

    @Susan,
    Our team ended up finding a solution – I believe it’s the buy a mannequin, saw off body parts solution :)

  15. March 17th, 2009

    I found this site and shop their sarongs and clothing fashions regularly.

    They have the flat shot of the sarong…they have the sarong on the mannequin and they have the models with the sarongs.

    Some of the models heads are cut off in the shot. This looks a little bit funny too.

    I’m not sure but I think the more beautiful the model the better the chance of me buying. I want to look beautiful so I buy beautiful. Right? The flat shots are hard to see how the material hangs…so it makes me have to think. I don’t like to think too much cause I just want to look good and I want that to be an easy choice.

    Mannequins are good for the hanging of the fabric but they don’t really do justice to the clothing. You can’t really see how the clothing fits because who has the size of a statue mannequin?

    My 2 Cents :-)

    Cheers!

  16. March 17th, 2009

    Oh…the site didn’t go through…not sure why…but you’ll need this to see what I’m talking about…

    http://www.1worldsarongs.com

  17. April 1st, 2009

    I’m consulting for a fashion wholesaler looking for the ghost effect, but I think my advice will be to show the Mannequin because it seems like a lot of work to remove the Mannequin in post. Maybe other have better ideas of other ways to display woman’s clothing product innovative ways?

  18. April 2nd, 2009

    @Daniel,

    For the Vancouver 2010 Olympic Store we’re using mannequins with sawed off limbs. You still have to dress the mannequin but you get the ghost effect. Example: http://www.vancouver2010.com/store/clothing/parklife/vancouver-2010-park-life-for-aritzia-track-jacket-stone-print/prod22700.html

  19. May 7th, 2009

    This is an interesting line of comments, I stumbled on the “ghost effect” on my own about a year ago at the prodding of our marketing team to show the shape of some of our womens garments. I shoot the garment on a mannequin then with the aid of a piece of fabric rolled up into a 12 inch long 2 inch diameter tube that I tuck under the hem of the neck of the garment in a flat style and shoot the neck area, photoshop it behind the mannequin shoot and distort a little to get all to line up and look realistic. It is time consuming but made my marketing team very happy.
    : -)

  20. June 25th, 2009

    More samples of the invisible or ghost mannequin soon!
    http://chuckgoodenough.com/invisible-mannequin.html

  21. July 7th, 2009

    To achieve the ghost mannequin effect with a minimum of editing in photoshop many of our customers are purchaing clear mannequins like the one featured here: http://www.mannequinmadness.com/product_info.php?products_id=338&osCsid=7mhubgt2tdup9tpr9k6dq2c543

  22. July 15th, 2009

    product image is very important, take care.

  23. Susan
    August 19th, 2009

    hi everyone –

    i am an entrepreneur working on an e-commerce site for high end retail. one of our biggest challenges in getting the business off the ground is finding top quality, consistent photography akin to net-a-porter and other photos you all have discussed on this thread.

    unlike the other big ecommerce retailers, our inventory consists of unique pieces, so spending a lot of money on one shot (or a group of shots for one item) only yields one sale. between stylist and the time it takes to dress and undress, retouching fees, so much of our cost goes to photography and the economics don’t seem to work anymore.

    anyone have any suggestions? we are looking to achieve a high quality product but have a start up budget. we like the “floating” look but have been quoted high prices for the clipping that creates this look.

    thanks,
    susan

  24. August 27th, 2009

    Hi Susan, for one of Elastic Path’s clients we actually bought mannequins and sawed off the arms and head to get the floater look. Other option is to use the garment flat, which many top retailers still do.

  25. August 29th, 2009

    Hi Susan,
    I’d love to see what you’re already doing so I can comment and make suggestions.

    For single, unique items, you might be better off shooting on model and finding a photographer who will work with you on quantity if you have regular merch turnover and need consistency.
    Chuck
    http://www.chuckgoodenough.com

  26. September 15th, 2009

    You can either saw the mannequin in the obvious places for this effect as others have stated or spend a long time editing two images together. I started off editing my images and found I was spending far too long on them, so now I use a mannequin which saves me much valuable time.

  27. September 21st, 2009

    You can either saw the mannequin in the obvious places for this effect as others have stated or spend a long time editing two images together. I started off editing my images and found I was spending far too long on them, so now I use a mannequin which saves me much valuable time.

  28. Kevin Neal
    September 22nd, 2009

    I’m a Professional Photographer who has done a lot of clothing for various clients, using a variety of techniques.

    I usually go for a mannequin if the client wants constancy throughout the shots, though they can be time consuming to dress compared a model they are cheaper. To create the invisible effect I simply put a path around the clothing then either retouch the neckline back in sampling from a flat area on the front, or if the inside is a different lining just take a quick shot of that area flat and clone it in.

    If consistency isn’t the main concern I’d go for a person, you don’t need to hire a professional model just use someone with a decent body, you need to pay more attention to creases and wrinkles because they will look more prominent when the person is removed

  29. October 31st, 2009

    I am working on my book, tentatively titled “The Invisible Model” on all off-figure styling and photography techniques. Stayed tuned at Photo Styling Workshops or my blog at http://www.theinvisiblestylist.com for progress reports. Hope to solve some of these mysteries!

  30. November 29th, 2009

    To Whom It may concern,

    I would like to learn how to do create a invisible mannequin shots that allow your neck and label to be visible.

    I would appreciate if you could drop me a email.

    Kind Regards

    Jas

  31. January 5th, 2010

    Hi, at http://www.designerdesirables.com we used mannequins and EVERYONE kept saying that mannequins were terrible, I went against the flow, as I did not want suspended garments hanging in the air so eventually we moved to “real models” and we have seem a growth in sales. It is costly and hard to choose the right model but we went for different sizes to appeal to as many as possible. We still need flat shots for mags and like everyone else struggling how to do it, but love live models have a look http://tiny.cc/WWpQq

  32. Mimi Turner
    February 2nd, 2010

    Hi; Thank you so much (especially Linda Bustos). The info on the “ghost effect” is so so useful. I am in the midst of finishing my website. I am already a retailer but could not figure out the BEST and easiest way of creating the floating effect cost-effectively. Yes; sawing the mannequin would be great. I am trying to achieve the Liberty of Londons’ way of showing the ladieswear. If you have any other tidbits please let me know.

Leave a comment

Sites linking to this article

  1. Product Photography: Mannequin photos in email creative » Style Campaign » ANNA YEAMAN’S GUIDE TO SUCCESSFUL AND STYLISH EMAIL MARKETING on November 12, 2008